Sunday, December 30, 2018

Gilmore and the giant Harvard tuba

One of the more fascinating things I have come across in my research on Herman Conrad is the following poster of Gilmore's Band - presumably based on a photograph (yet to be found) and created prior to Gilmore's death in 1892, when he launched his tour of "One Hundred":


Based on earlier images of the band, Conrad is most likely holding one of those large-belled helicon basses, either five guys in from the right in the back row, or six guys in from the right two rows below that. 

But what are we to make of that huge tuba toward the middle of the back row? Here's a close-up look at it:


Apart from the engraving on the bell, it is a dead-ringer for the giant tuba that is kept in the band room at Harvard University (being held here by my friends Matt Walters and Steve Dillon):


Here's a closer look at the bell engravings that can be seen today:


It says, "Besson & Co. London England Carl Fischer U. S. Agent. New York." The artist's rendering in the poster shows a giant "BESSON" (or rather "?SSON"), which perhaps was, or maybe even still faintly is, there on the upper part of the bell (I haven't seen the horn myself - yet!).

But, again, everything else matches perfectly, so it seems likely that it is the very same horn - and that's what my research has affirmed. In the March 24, 1929 edition of The Boston Globe, there is the following headline and photo:


The article that follows provides us with the earliest known account of the story behind this giant tuba:


Just how much of this story is true? It's hard to say. But the connection with Gilmore checks out. And the timing is right, as Gilmore had plans to take his band of one hundred to the World's Columbian Exposition in Chicago in 1893 (although his death on Sept. 24, 1892, obviously changed those plans, and I have found no record of that giant tuba appearing at the World's Fair the following year; it may very well have found its way back to that "store window in New York" following the great bandmaster's death).

Further, the folks at Carl Fischer Music recently posted an old photo, said to be from around 1920, showing that horn in front of their main Boston store. It had apparently made the trip from New York by that time:


Finally, I found a photo published in various newspapers in late Spring, 1928, which appears to be showing us that "farewell appearance" in Boston a month or so earlier, where the horn was "Perched in solitary splendor on a five-ton truck":


But how did this giant tuba end up at Harvard? The earliest reference that I could find that connects it to the university is from late December, 1948, and that appears to be the very year that it fell into the Band's hands. 

In the 1972 Harvard Bulletin, Christopher Johnson wrote that "It is a documented fact that the Band acquired the instrument from Carl Fischer, Boston, on August 24, 1948, for the sum of $100. Fischer's, it appears, was under the impression that the Band was merely renting; but the clerk had scrawled 'sale' on the slip, and the horn was Harvard's."

That report also mentions the legend that the horn was initially connected with Sousa's Band, which is repeated elsewhere, such as the wikipedia page for "Subcontrabass tuba," which states that it was "built by Besson on the suggestion of American Bandmaster John Philip Sousa, who toured using [it] in his band from 1896-1898." But there is simply no documentation for this claim, and it is almost certainly false.

In 1973, a humorous photo of the giant Harvard tuba, which is very similar to the photo above, featuring the three ladies in 1929, was sent out via UPI to newspapers around the country. Here it is:


This photo also showed up in the Fall 1988 edition of the T.U.B.A. Journal, with the following caption that tells a bit more than the newspapers did:
A dramatization of The Tuba's relative size - oboist Laura Carr became the first human straight mute in 1979 [actually 1973]. Band equipment handler Samuel Shaw (left) and Band Director Tom Everett are holding The Tuba. The drama became real just after this photograph was taken. Ms. Carr, hysterical with laughter, became stuck and had to be extacted [sic] with the assistance of two security guards.
That journal article also shows Sam Pilafian playing the giant horn in 1979 - something that he did numerous times, I'm told.


I hope to be speaking with Sam soon to hear more about this beast of a tuba that goes all the way back to Gilmore's Band in 1892. Stay tuned!

For more on this giant tuba, click here.

13 comments:

  1. I played Asleep In the Deep on the tuba in the graduation evening concert in 1991. It was really fun. When I played, and I assume still today, the fingerings don't match other tubas, and they aren't even consistent with regular intervals. The best way to prepare for a performance was to set up near the piano with your music, try to hit a note, find the fingering that gave the best match, then write it on your music, repeating this process for the whole piece. Also, the sides of the tuba are very thin, and they create a buzzing noise that's not very pleasant. The rumor was that this was because the instrument had been made in a locomotive factory rather than a regular instrument factory, but I don't know the truth of that story. To counter the buzzing, we used two assistants who wore oven mitts and held the sides of the tuba, which damped the buzzing and gave it a much better sound. During my time in the band and wind ensemble at Harvard, the tuba was played by a professional tubist (often Sam Pilafian, but there were others) every five years for the fall Dartmouth Concert to coincide with the Band's five year reunion schedule. There was a giant mouthpiece that went with it, but we also had a neck piece that allowed a regular mouthpiece to be used. I think the giant mouthpiece got lost sometime around 1990 - I don't know if it was found again.

    ReplyDelete
    Replies
    1. Dave, thanks so much for sharing your experience with this historic horn!

      Delete
  2. At the 70th reunion in 1989, the performer was Gary Ofenlach. He really struggled.

    I just wrote a long text about the Harvard Band’s lore concerning the G# tenor bombastodron, but I think it didn’t post. Short version: I believe there were originally four of these horns, sent by Carl Fischer to his stores in NY, Boston, Chicago and LA. So the NY horn and the HUB horn are not the same. This could be proven with any documentary evidence of the NY horn being on display after 1948.

    ReplyDelete
    Replies
    1. Paul, you are correct that the NY horn, known as "Big Carl," and the HUB horn are not the same. In fact, they are quite different. As Michael says below, "Big Carl" is not a working tuba, but more like a giant bugle (with fake valves), while the Harvard horn is fully functional as a tuba. As to the other part of the lore you mention, that there were originally four tubas sent to the various Carl Fischer stores, I have found no documentation for that at all. The Horniman Museum, in London, does have a tuba of similar size and layout as the Harvard horn, although it too is not functional, and the folks at the museum do not know the history behind it. There is much more to learn about all of these giant tubas!

      Delete
  3. Paul, do you mean this one - whose little secret is that it has no valves and isn't really a tuba: https://www.nytimes.com/2014/09/27/nyregion/its-a-giant-its-a-novelty-its-a-tuba-named-big-carl.html

    ReplyDelete
  4. Providing some additional information as the human straight mute: I am 5'6' so a full five feet of me fit down the tuba.

    ReplyDelete
    Replies
    1. How long were you stuck in the instrument, and how did they extract you?

      Delete
    2. I'm not sure Laura will see you question, but I did hear from her. She wasn't stuck in there long - but it took both guys, plus the photographer, to pull her out after the photo, and much laughter!

      Delete
  5. The Horniman catalag says their giant tuba is playable: https://www.horniman.ac.uk/collections/browse-our-collections/object/193827

    ReplyDelete
    Replies
    1. Playable, sort of - the valves are dummies. I heard from the folks at the museum, who confirmed that.

      Delete
  6. It was manufactured by Besson and displayed over the entrance to their factory up until Besson merged with Boosey & Hawkes in 1948, and it moved to a similar position at B&H's "Sonorous Works": https://londonist.com/2009/03/from_the_horniman_bbb_tuba

    ReplyDelete
  7. I just saw this tuba being carried down the street by what I assume were four Harvard students. It's been restored for the band's 100th anniversary concert, and it looks great!

    ReplyDelete
  8. Hello Dave! This is such an interesting post. I am currently working on a UK TV series and would love to speak with you further about your tuba expertise - if you're happy to, please email me on francesca.barberis@talkback.co.uk to discuss further! Thanks, Francesca x

    ReplyDelete