The October 24, 1925 edition of
Presto speaks of Sousa and his band
"in those exciting days of the World's Columbian Exposition of 1892 in Chicago. . . . Who in that time . . . knew the sousaphone? That was the March-King's own device for obtaining a distinctive sound; and today the sousaphone is part of every big band, of many small ones, and has a place in the great modern orchestras" (p. 20).
Photo courtesy of Paul Bierley, John Philip Sousa: American Phenomenon, p. 60
Above is the Sousa Band in 1893 - which does not yet have a Sousaphone. What you see in the top right is Herman Conrad playing a Helicon bass - the forerunner to the Sousaphone.
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